Journalism Now; or, Rewatching Fear and Loathing in Las Vegas

Everyone wants to be Hunter S. Thompson. At least, that ‘s the way I feel (probably because I want to be him too.) Realistically, I don’t think that it is possible to recreate what he did. The drug-fuelled romp of the ’60s is over, and now journalism demands constant professionalism, attentiveness, and reliability. People can’t find the time in their day to read long-form stories anymore, let alone book-length features. The crazed version of gonzo journalism that he pioneered- one that favoured DIY methods, and a ‘method acting’ type of writing in which the journalist is a part of the story- while perhaps still prevalent in our society (look at the success of Vice) is mostly dead. Drugs, sex, and rock n’ roll are no longer shocking or thrilling. Instead, they’re an accepted- even encouraged- part of society.

So what can a journalist do now? How can we bring about the same fresh and exciting methods that Thompson, breaking free from the academic constraints of APA formatting and inverted-pyramid style hard news in your municipal newspaper, did?

He took risks, and I suppose that is what we have to do now. Journalists have to tell stories that no one else is talking about, and not be afraid to cast off the professional facade we are expected to adopt. There is something to be said for inserting not only you but your persona into the work you do. Write so that the journalism is still valid, but make it a reflection of your personality. Do something that no one else is doing. I feel like because the news cycle is so quick, journalists no longer have the chance to get lost in, or truly explore a story. Although it is important to have a structure to your life: to plan, budget, pay the bills, and cover the local hockey scores, there is still room for what I believe journalism is. Journalism is about telling someone else’s stories, it is about experiencing life through another lens. How can we truly capture life at its core, the messy disaster that we all experience, when we are approaching these events in a cold academic manner?

Then I suppose that one of the key issues is treating journalism like a job and nothing more. When in reality, people want to read about the stories of others, to know what is truly happening around the world and in their own backyards. There will always be a place for hard news; the importance that we all are aware of what is happening is universal. Especially if the events are life- or society-threatening. Journalists just can’t forget to make time to experience life away from the office, the page, and the professional constraints. Public trust in journalism is worryingly low right now. Perhaps it would help to infuse some truthful, unpolished glimpses of life every now and then.

Take a risk.

Protests, and Doing Anything You Can

The devastating invasion of Wet’suwet’en by CoastalGasLink and the expansion of their pipeline to the coast has largely been forgotten by the media, it seems. That doesn’t come as much of a surprise, based on the speed of the news cycle. Now we have our friend and fantastic councillor Jon Dziadyk to worry about, among other things. Despite these massive infractions on a sovereign and autonomous part of Canada, and the fact that Alberta churns out both thinly-veiled racist and anti-environment protests in the form of our own bastardized Yellow Vest Movement, Alberta hasn’t really done their (our) part. Our part being taking action alongside the rest of the world, akin to what is happening in Europe with the prodigious Greta Thunberg; she is the de facto leader of the revolution to save the planet happening across the continent currently.

So what do we do about it? What do we, as students, as young people, as people who have to live on this planet for the rest of our new lives, and who, frankly, have to shoulder the responsibility that the Boomer Throwaway generation decided was too much work for them, do? Good question. Anything. I know that most of us are overworked, overtired, underpaid and underfed, but something has to be done. After all, we only have 12 years.

So a friend and I have decided to organize a protest. A protest that seeks to call out the new pipeline, the violation of consent, the rise of anti-immigration and persistence of ignorant anti-environmentalism in Alberta, among other things. The tentative date is Wednesday, February 13th, at around 4:00 pm. The location will be the Legislature. And everyone is welcome and invited! More details to come soon.

That mountain in the photo ain’t gonna be covered in snow for too much longer if things keep heating up (also summer is coming soon.)

alex-radelich-462768-unsplash.jpg

Overcoming Artistic Barriers Through Self-Action: ᐋᒋᒧᐃᐧᐣ – Acimowin

Indigenous art show to run in Edmonton this weekend

Two Edmonton artists are hoping to create equal representation for Indigenous artists through the best way they know how: doing it themselves. Marcus Thunder and Allysa Pierre are the curators of an Indigenous art show happening in Edmonton entitled ᐋᒋᒧᐃᐧᐣ – Âcimowin. Âcimowin (pronounced “a-chi-mO-win”), which according to the two means ‘story’ in Cree, is an attempt to encapsulate the intentionally theme-less show.

Pierre went in-depth to describe the process of naming the event. “We were trying to find something that would tie a bunch of works of art together, and what we figured when we were first starting off with the show was not to have a theme, because having a theme creates barriers, which is the opposite of what we wanted to do with this. Story just kind of grouped everything together an umbrella term for it, because we are creating a story for the art through what we’re doing.”

At the last show Pierre curated, the two noticed a severe lack of Indigenous representation, and felt a responsibility to further the destruction of barriers in the art world by calling upon Indigenous artists to create a representative show with them.

Thunder discussed the underrepresentation within Edmonton’s arts community. “I think it’s important because being an Indigenous person, I’ve never really seen an art show that is exclusive to Indigenous artists.”

Pierre elaborated on the significance of Thunder’s idea. “It kind of came to our attention that there isn’t a lot of Indigenous representation at shows that we have been to or been a part of, that’s kind of what brought us to this. There are so many Indigenous artists in Edmonton itself, all over Canada, all over the world, but for some reason people aren’t doing the work to have them equally represented. The show could’ve happened a really long time ago by somebody else, but it hasn’t. Working to make more events inclusive like this because inclusivity isn’t a one time deal, it’s something that should work towards constantly, until it becomes the norm. Because if it’s not, then what are we doing?”

What are Thunder and Pierre aiming for in the long run? Thunder said they hope to “inspire more local artists to put their work out there,” to take the risk regardless of the exclusive atmosphere living in a  “pretty conservative city” can put on an artistic scene. Thunder went on: “[Indigenous peoples] already face a lot of barriers in this society, so I would just hope to inspire more Indigenous artists to get out there and work hard.”

The event, which includes music, film, photography, painting, starts at 6:30 p.m. on this Saturday, Jan. 26. It is being held at Coral Plaza, 6768 99 Street, $15 admission. Tickets can be purchased from their Eventbrite page, or at the door (cash only).